MARIANNE BRØNER

Marianne Brøner, maler og skulptør, er født i Aarhus i 1965 og debuterede som kunstner i 1995, siden har hun haft en lang række af udstillinger på gallerier, kunstforeninger og private og offentlige institutioner. Marianne er uddannet i formlære og billedfortolkning ved Aarhus Akademi, har modtaget undervisning på Aarhus Kunstakademi samt tegning – og perspektivlære hos Henri Sørensen.

Hendes billeder kan beskrives som grafisk stærke og farvestrålende og hun arbejder hovedsagligt med det nonfigurative motiv. Malerierne opstår i nuet, gennem de begivenheder Marianne oplever i sin hverdag, det kan være alt fra de sanselige helt nære indtryk til de internationale problemer og konflikter.
Marianne lader inspirationen finde sin egen vej, så billederne på sin vis maler sig selv, og på denne måde kan der alligevel i det abstrakte billede oftest anes en skygge af motiv, der har sneget sig ind.

Materialemæssigt lader Marianne sig heller ikke begrænse, for som hun selv siger, er hun ”blevet fanget af blandingsteknikkens mange muligheder og materialer”. Men det er hovedsagligt akryl – og oliemaling på lærred, der præger hendes billeder.

Mariannes skulpturer er tydeligt inspireret af urkvinden. Det er den volumiøse krops svungne former, der er interessante for Marianne, men også ideen om fortidens idealer og gudestatus hos kvinden og moderen. Figurerne er unika og opbygget af et skelet af tråd, hvorpå der derefter er mange lag af gips.

Marianne Brøner, painter and sculptor, was born in Aarhus in 1965 and debuted as an artist in 1995, since then she has had a large number of exhibitions at galleries, art associations and private and public institutions. Marianne is educated in form theory and image interpretation at Aarhus Academy, has received teaching at Aarhus Art Academy as well as drawing and perspective teaching with Henri Sørensen.

Her pictures can be described as graphically strong and brightly colored and she mainly works with the non-figurative motif. The paintings are created in the present, through the events that Marianne experiences in her everyday life, it can be everything from the sensuous very close impressions to the international problems and conflicts. Marianne lets the inspiration find its own way, so that the pictures paint themselves in their own way, and on this way, in the abstract image, a shadow of a motif that has crept in can often be sensed.

In terms of materials, Marianne does not allow herself to be limited either, because as she says herself, she has "been captured by the many possibilities and materials of the mixing technique". But it is mainly acrylic and oil paint on canvas that characterize her pictures.

Marianne's sculptures are clearly inspired by the primordial woman. It is the curved forms of the voluminous body that are interesting to Marianne, but also the idea of ​​the ideals of the past and the god status of the woman and the mother. The figures are unique and built from a skeleton of wire, on which there are then many layers of plaster.